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Shell Shock Cinema: Weimar Culture and the Wounds of War
Kataloginformation
Katalogdatensatz334590793
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Kataloginformation
Feldname
Details
Vorliegende Sprache
eng
URL
https://doi.org/10.1515/9781400831197
https://www.degruyter.com/doc/cover/9781400831197.jpg
https://www.degruyter.com/cover/covers/9781400831197.jpg
Name
Kaes, Anton
T I T E L
Shell Shock Cinema
Zusatz zum Titel
Weimar Culture and the Wounds of War
Verfasserangabe
Anton Kaes
Auflage
Course Book
Verlagsort
Princeton, NJ
Verlag
Princeton University Press
Erscheinungsjahr
2009
Umfang
1 Online-Ressource
ISBN
ISBN 978-1-4008-3119-7
ISBN 978-1-4008-3119-7
Hinweis zur Nutzung
$bMode of access: Internet via World Wide Web
Kurzbeschreibung
Shell Shock Cinema explores how the classical German cinema of the Weimar Republic was haunted by the horrors of World War I and the the devastating effects of the nation's defeat. In this exciting new book, Anton Kaes argues that masterworks such as The Cabinet of Dr. Caligari, Nosferatu, The Nibelungen, and Metropolis, even though they do not depict battle scenes or soldiers in combat, engaged the war and registered its tragic aftermath. These films reveal a wounded nation in post-traumatic shock, reeling from a devastating defeat that it never officially acknowledged, let alone accepted. Kaes uses the term "shell shock"--coined during World War I to describe soldiers suffering from nervous breakdowns--as a metaphor for the psychological wounds that found expression in Weimar cinema. Directors like Robert Wiene, F. W. Murnau, and Fritz Lang portrayed paranoia, panic, and fear of invasion in films peopled with serial killers, mad scientists, and troubled young men. Combining original close textual analysis with extensive archival research, Kaes shows how this post-traumatic cinema of shell shock transformed extreme psychological states into visual expression; how it pushed the limits of cinematic representation with its fragmented story lines, distorted perspectives, and stark lighting; and how it helped create a modernist film language that anticipated film noir and remains incredibly influential today. A compelling contribution to the cultural history of trauma, Shell Shock Cinema exposes how German film gave expression to the loss and acute grief that lay behind Weimar's sleek façade.
1. Schlagwort
Deutschland
Erster Weltkrieg
Psychisches Trauma
Rezeption
Film
Geschichte 1918-1933
2. Schlagwort
Weimarer Republik
Erster Weltkrieg
Psychisches Trauma
Rezeption
Film
3. Schlagwort
Deutschland
Film
Erster Weltkrieg <Motiv>
Psychisches Trauma <Motiv>
Geschichte 1918-1933
4. Schlagwortkette
Weimarer Republik
Erster Weltkrieg <Motiv>
Psychisches Trauma <Motiv>
Film
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514883618
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