LIBERO WebOPAC Katalogdatenanzeige (W561)

Kataloginformation
Feldname	Details
Vorliegende Sprache	eng
URL	https://www.degruyter.com/isbn/9781478009191
	https://doi.org/10.1515/9781478009191?locatt=mode:legacy
	https://www.degruyter.com/cover/covers/9781478009191.jpg
	https://www.degruyter.com/document/cover/isbn/9781478009191/original
Name	Niranjana, Tejaswini [VerfasserIn]
T I T E L	Musicophilia in Mumbai
Zusatz zum Titel	performing subjects & the metropolitan unconscious
Verfasserangabe	Tejaswini Niranjana
Verlagsort	Durham
Verlag	Duke University Press
Erscheinungsjahr	2020
Umfang	1 Online-Ressource (xii, 238 Seiten) : Illustrationen, Karte
Titelhinweis	Erscheint auch als (Druck-Ausgabe): ‡Niranjana, Tejaswini, 1958 - : Musicophilia in Mumbai
ISBN	ISBN 978-1-4780-0919-1
Hinweis zur Nutzung	$bMode of access: Internet via World Wide Web
Kurzbeschreibung	Frontmatter -- Contents -- Acknowledgments -- INTRODUCTION: On Not Being Able to Learn Music -- 1. “YAA NAGARI MEIN LAKH DARWAZA”: Musicophilia and the Lingua Musica in Mumbai -- 2. MEHFIL (PERFORMANCE): The Spaces of Music -- 3. DEEWAANA (THE MAD ONE): The Lover of Music -- 4. TALEEM: Pedagogy and the Performing Subject -- 5. NEARNESS AS DISTANCE, OR DISTANCE AS NEARNESS -- Afterword -- Glossary -- Notes -- Selected Bibliography -- Index
2. Kurzbeschreibung	In Musicophilia in Mumbai Tejaswini Niranjana traces the place of Hindustani classical music in Mumbai throughout the long twentieth century as the city moved from being a seat of British colonial power to a vibrant postcolonial metropolis. Drawing on historical archives, newspapers, oral histories, and interviews with musicians, critics, students, and instrument makers as well as her own personal experiences as a student of Hindustani classical music, Niranjana shows how the widespread love of music throughout the city created a culture of collective listening that brought together people of diverse social and linguistic backgrounds. This culture produced modern subjects Niranjana calls musicophiliacs, whose subjectivity was grounded in a social rather than an individualistic context. By attending concerts, learning instruments, and performing at home and in various urban environments, musicophiliacs embodied forms of modernity that were distinct from those found in the West. In tracing the relationship between musical practices and the formation of the social subject, Niranjana opens up new ways to think about urbanity, subjectivity, culture, and multiple modernities
1. Schlagwort	Mumbai
	Hindustanimusik
	Musikhören
	Musikerlebnis
	Modernität
	Urbanität
	Geschichte 1860-
2. Schlagwort	Mumbai
	Hindustanimusik
	Musiksoziologie
	Musikleben
	Stadtleben
3. Schlagwort	Mumbai
	Hindustanimusik
	Musikalische Aufführungspraxis
	Musikerziehung
SWB-Titel-Idn	1737653818

Titel zur Titelsammlung hinzufügen Katalogdatensatz334608566

Kataloginformation334608566 Datensatzanfang . Kataloginformation334608566 Seitenanfang .

Katalogdatenanzeige

Musicophilia in Mumbai: performing subjects & the metropolitan unconscious